The Dark Eidolon and Other Fantasies Read online

Of the days that followed, I shall offer only a summary. It would be impossible to convey the eventless, phantasmal horror in which we dwelt and moved.

  I wrote immediately to Miss Olcott, pressing her to pay me a visit during Amberville’s stay, and, in order to insure acceptance, I hinted obscurely at my concern for his health and my need of her coadjutation. In the meanwhile, waiting her answer, I tried to divert the artist by suggesting trips to sundry points of scenic interest in the neighborhood. These suggestions he declined, with an aloof curtness, an air that was stony and cryptic rather than deliberately rude. Virtually, he ignored my existence, and made it more than plain that he wished me to leave him to his own devices. This, in despair, I finally decided to do, pending the arrival of Miss Olcott. He went out early each morning, as usual, with his paints and easel, and returned about sunset or a little later. He did not tell me where he had been; and I refrained from asking.

  Miss Olcott came on the third day following my letter, in the afternoon. She was young, lissome, ultra-feminine, and was altogether devoted to Amberville. In fact, I think she was in awe of him. I told her as much as I dared, and warned her of the morbid change in her fiancé, which I attributed to nervousness and overwork. I simply could not bring myself to mention Chapman’s meadow and its baleful influence: the whole thing was too unbelievable, too phantasmagoric, to be offered as an explanation to a modern girl. When I saw the somewhat helpless alarm and bewilderment with which she listened to my story, I began to wish that she were of a more resolute and determined type, and were less submissive toward Amberville than I surmised her to be. A stronger woman might have saved him, but even then I began to doubt whether Avis could do anything to combat the imponderable evil that was engulfing him.

  A heavy crescent moon was hanging like a blood-dipt horn in the twilight, when he returned. To my immense relief, the presence of Avis appeared to have a highly salutary effect. The very moment that he saw her, Amberville came out of the singular eclipse that had claimed him, as I feared, beyond redemption, and was almost his former affable self. Perhaps it was all make-believe, for an ulterior purpose; but this, at the time, I could not suspect. I began to congratulate myself on having applied a sovereign remedy. The girl, on her part, was plainly relieved; though I saw her eyeing him in a slightly hurt and puzzled way, when he sometimes fell for a short interval into moody abstraction, as if he had temporarily forgotten her. On the whole, however, there was a transformation that appeared no less than magical, in view of his recent gloom and remoteness. After a decent interim, I left the pair together, and retired.

  I rose very late the next morning, having overslept. Avis and Amberville, I learned, had gone out together, carrying a lunch which my Chinese cook had provided. Plainly he was taking her along on one of his artistic expeditions; and I augured well for his recovery from this. Somehow, it never occurred to me that he had taken her to Chapman’s meadow. The tenuous, malignant shadow of the whole affair had begun to lift from my mind; I rejoiced in a lightened sense of responsibility; and, for the first time in a week, was able to concentrate clearly on the ending of my novel.

  The two returned at dusk, and I saw immediately that I had been mistaken on more points than one. Amberville had again retired into a sinister, saturnine reserve. The girl, beside his darkly looming height and massive shoulders, looked very small, forlorn, and pitifully bewildered and frightened. It was as if she had encountered something altogether beyond her comprehension—something with which she was humanly powerless to cope.

  Very little was said by either of them. They did not tell me where they had been—but, for that matter, it was unnecessary to inquire. Amberville’s taciturnity, as usual, seemed due to an absorption in some dark mood or sullen reverie. But Avis gave me the impression of a dual constraint—as if, apart from some enthralling terror, she had been forbidden to speak of the day’s events and experiences. I knew that they had gone to that accursed meadow; but I was far from sure whether Avis had been personally conscious of the weird and baneful entity of the place, or had merely been frightened by the unwholesome change in her lover beneath its influence. In either case, it seemed obvious that she was wholly subservient to him. I began to damn myself for a fool in having invited her to Bowman—though the true bitterness of my regret was still to come.

  A week went by, with the same daily excursions of the painter and his fiancée—the same baffling, sinister estrangement and secrecy in Amberville—the same terror, helplessness, constraint and submissiveness in the girl. How it would all end, I could not imagine; but I feared, from the ominous alteration of his character, that Amberville was heading for some form of mental alienation, if nothing worse. My offers of entertainment and scenic journeys were rejected by the pair; and several blunt efforts to question Avis were met by a wall of almost hostile evasion which convinced me that Amberville had enjoined her to secrecy—and had perhaps, in some sleightful manner, misrepresented my own attitude toward him.

  “You don’t understand him,” she said, repeatedly. “He is very temperamental.”

  The whole affair was a maddening mystery, but it seemed more and more that the girl herself was being drawn, either directly or indirectly, into the same phantasmal web that had enmeshed the artist.

  I surmised that Amberville had done several new pictures of the meadow; but he did not show them to me, nor even mention them. My own recollection of the place, as time went on, assumed an unaccountable vividness that was almost hallucinatory. The incredible idea of some inherent force or personality, malevolent and even vampirish, became an unavowed conviction against my will. The place haunted me like a phantasm, horrible but seductive. I felt an impelling morbid curiosity, an unwholesome desire to visit it again, and fathom, if possible, its enigma. Often I thought of Amberville’s notion about a Genius Loci that dwelt in the meadow, and the hints of a human apparition that was somehow associated with the spot. Also, I wondered what it was that the artist had seen on the one occasion when he had lingered in the meadow after nightfall, and had returned to my house in driven terror. It seemed that he had not ventured to repeat the experiment, in spite of his obvious subjection to the unknown lure.

  The end came, abruptly and without premonition. Business had taken me to the county seat, one afternoon, and I did not return till late in the evening. A full moon was high above the pine-dark hills. I expected to find Avis and the painter in my drawing-room; but they were not there. Li Sing, my factotum, told me that they had returned at dinner-time. An hour later, Amberville had gone out quietly while the girl was in her room. Coming down a few minutes later, Avis had shown excessive perturbation when she found him absent, and had also left the house, as if to follow him, without telling Li Sing where she was going or when she might return. All this had occurred three hours previously; and neither of the pair had yet re-appeared.

  A black and subtly chilling intuition of evil seized me as I listened to Li Sing’s account. All too well I surmised that Amberville had yielded to the temptation of a second nocturnal visit to that unholy meadow. An occult attraction, somehow, had overcome the fright of his first experience, whatever it had been. Avis, knowing where he was, and perhaps fearful of his sanity—or safety—had gone out to find him. More and more, I felt an imperative conviction of some peril that threatened them both—some hideous and innominable thing to whose power, perhaps, they had already yielded.

  Whatever my previous folly and remissness in the matter, I did not delay now. A few minutes of driving at precipitate speed through the mellow moonlight brought me to the piny edge of the Chapman property. There, as on my former visit, I left the car, and plunged headlong through the shadowy forest. Far down, in the hollow, as I went, I heard a single scream, shrill with terror, and abruptly terminated. I felt sure that the voice was that of Avis; but I did not hear it again.

  Running desperately, I emerged in the meadow-bottom. Neither Avis nor Amberville was in sight; and it seemed to me, in my hasty scrutiny, that the place was full of
mysteriously coiling and moving vapors that permitted only a partial view of the dead willow and the other vegetation. I ran on toward the scummy pool, and nearing it, was arrested by a sudden and twofold horror.

  Avis and Amberville were floating together in the shallow pool, with their bodies half hidden by the mantling masses of algae. The girl was clasped tightly in the painter’s arms, as if he had carried her with him, against her will, to that noisome death. Her face was covered by the evil, greenish scum; and I could not see the face of Amberville, which was averted against her shoulder. It seemed that there had been a struggle; but both were quiet now, and had yielded supinely to their doom.

  It was not this spectacle alone, however, that drove me in mad and shuddering flight from the meadow, without making even the most tentative attempt to retrieve the drowned bodies. The true horror lay in the thing, which, from a little distance, I had taken for the coils of a slowly moving and rising mist. It was not vapor, nor anything else that could conceivably exist—that malign, luminous, pallid emanation that enfolded the entire scene before me like a restless and hungrily wavering extension of its outlines—a phantom projection of the pale and death-like willow, the dying alders, the reeds, the stagnant pool and its suicidal victims. The landscape was visible through it, as through a film; but it seemed to curdle and thicken gradually in places, with some unholy, terrifying activity. Out of these curdlings, as if disgorged by the ambient exhalation, I saw the emergence of three human faces that partook of the same nebulous matter, being neither mist nor plasm. One of these faces seemed to detach itself from the bole of the ghostly willow; the second and third swirled upward from the seething of the phantom pool, with their bodies trailing formlessly among the tenuous boughs. The faces were those of old Chapman, of Francis Amberville, and Avis Olcott.

  Behind this eerie, wraith-like projection of itself, the actual landscape leered with the same infernal and vampirish air which it had worn by day. But it seemed now that the place was no longer still—that it seethed with a malignant secret life—that it reached out toward me with its scummy waters, with the bony fingers of its trees, with the spectral faces it had spewed forth from its lethal deadfall.

  Even terror was frozen within me for a moment. I stood watching, while the pale, unhallowed exhalation rose higher above the meadow. The three human faces, through a further agitation of the curdling mass, began to approach each other. Slowly, inexpressibly, they merged in one, becoming an androgynous face, neither young nor old, that melted finally into the lengthening phantom boughs of the willow—the hands of the arboreal Death, that were reaching out to enfold me. Then, unable to bear the spectacle any longer, I started to run. . . .

  There is little more that need be told, for nothing that I could add to this narrative would lessen the abominable mystery of it all in any degree. The meadow—or the thing that dwells in the meadow—has already claimed three victims . . . and I sometimes wonder if it will have a fourth. I alone, it would seem, among the living, have guessed the secret of Chapman’s death, and the death of Avis and Amberville; and no one else, apparently, has felt the malign genius of the meadow. I have not returned there, since the morning when the bodies of the artist and his fiancée were removed from the pool . . . nor have I summoned up the resolution to destroy or otherwise dispose of the four oil paintings and two water-color drawings of the spot that were made by Amberville. Perhaps . . . in spite of all that deters me . . . I shall visit it again.

  THE DARK EIDOLON

  Thasaidon, lord of seven hells

  Wherein the single Serpent dwells,

  With volumes drawn from pit to pit

  Through fire and darkness infinite—

  Thasaidon, sun of nether skies,

  Thine ancient evil never dies,

  For aye thy somber fulgors flame

  On sunken worlds that have no name,

  Man’s heart enthrones thee, still supreme,

  Though the false sorcerers blaspheme.

  —The Song of Xeethra

  On Zothique, the last continent of Earth, the sun no longer shone with the whiteness of its prime, but was dim and tarnished as if with a vapor of blood. New stars without number had declared themselves in the heavens, and the shadows of the infinite had fallen closer. And out of the shadows, the older gods had returned to man: the gods forgotten since Hyperborea, since Mu and Poseidonis,1 bearing other names but the same attributes. And the elder demons had also returned, battening mightily on the fumes of evil sacrifice, and fostering again the primordial sorceries.

  Many were the necromancers and magicians of Zothique, and the infamy and marvel of their doings was legended everywhere in the latter days. But among them all there was none greater than Namirrha, who imposed his black yoke on the cities of Xylac, and later, in a proud delirium, deemed himself the veritable peer of Thasaidon, lord of Evil.

  Namirrha had built his abode in Ummaos, the chief town of Xylac, to which he came from the desert realm of Tasuun with the dark renown of his thaumaturgies like a cloud of desert storm behind him. And no man knew that in coming to Ummaos he returned to the city of his birth, for all deemed him a native of Tasuun. Indeed, none could have dreamt that the great sorcerer was one with the beggar-boy, Narthos, an orphan of questionable parentage, who had begged his daily bread in the streets and bazaars of Ummaos. Wretchedly had he lived, alone and despised; and a hatred of the cruel, opulent city grew in his heart like a smothered flame that feeds in secret, biding the time when it shall become a conflagration consuming all things.

  Bitterer always, through his boyhood and early youth, was the spleen and rancor of Narthos toward men. And one day the prince Zotulla, a boy but little older than he, riding a restive palfrey, came upon him in the square before the imperial palace; and Narthos implored an alms. But Zotulla, scorning his plea, rode arrogantly forward, spurring the palfrey; and Narthos was ridden down and trampled under its hooves. And afterwards, nigh to death from the trampling, he lay senseless for many hours, while the people passed him by unheeding. And at last, regaining his senses, he dragged himself to his hovel; but he limped a little thereafter all his days, and the mark of one hoof remained like a brand on his body, fading never. Later, he left Ummaos and was forgotten quickly by its people. Going southward into Tasuun, he lost his way in the great desert, and was near to perishing. But finally he came to a small oasis, where dwelt the wizard Ouphaloc, a hermit who preferred the company of honest hyenas and jackals to that of men. And Ouphaloc, seeing the great craft and evil in the starveling boy, gave succor to Narthos and sheltered him. He dwelt for years with Ouphaloc, becoming the wizard’s pupil and the heir of his demon-wrested lore. Strange things he learned in that hermitage, being fed on fruits and grain that had sprung not from the watered earth, and wine that was not the juice of terrene grapes. And like Ouphaloc, he became a master in devildom and drove his own bond with the archfiend Thasaidon. When Ouphaloc died, he took the name of Namirrha, and went forth as a mighty sorcerer among the wandering peoples and the deep-buried mummies of Tasuun. But never could he forget the miseries of his boyhood in Ummaos and the wrong he had endured from Zotulla; and year by year he spun over in his thoughts the black web of revenge. And his fame grew ever darker and vaster, and men feared him in remote lands beyond Tasuun. With bated whispers they spoke of his deeds in the cities of Yoros, and in Zul-Bha-Sair, the abode of the ghoulish deity Mordiggian. And long before the coming of Namirrha himself, the people of Ummaos knew him as a fabled scourge that was direr than simoom or pestilence.

  Now, in the years that followed the going-forth of the boy Narthos from Ummaos, Pithaim, the father of Prince Zotulla, was slain by the sting of a small adder that had crept into his bed for warmth on an autumn night. Some said that the adder had been purveyed by Zotulla, but this was a thing that no man could verily affirm. After the death of Pithaim, Zotulla, being his only son, was emperor of Xylac, and ruled evilly from his throne in Ummaos. Indolent he was, and tyrannic, and full of strange luxuries
and cruelties; but the people, who were also evil, acclaimed him in his turpitude. So he prospered, and the lords of hell and heaven smote him not. And the red suns and ashen moons went westward over Xylac, falling into that seldom-voyaged sea, which, if the mariners’ tales were true, poured evermore like a swiftening river past the infamous isle of Naat, and fell in a worldwide cataract upon nether space from the far, sheer edge of Earth.

  Still grosser he grew, and his sins were as overswollen fruits that ripen above a deep abyss. But the winds of time blew softly; and the fruits fell not. And Zotulla laughed amid his fools and eunuchs and lemans; and the tale of his luxuries was borne afar, and was told by dim outland peoples, as a twin marvel with the bruited sorceries of Namirrha.

  • • •

  It came to pass, in the year of the Hyena, and the month of the star Canicule,2 that a great feast was given by Zotulla to the inhabitants of Ummaos. Meats that had been cooked in exotic spices from Sotar, isle of the east, were spread everywhere; and the ardent wines of Yoros and Xylac, filled as with subterranean fires, were poured inexhaustibly from huge urns for all. The wines awoke a furious mirth and a royal madness; and afterwards they brought a slumber no less profound than the Lethe of the tomb. And one by one, as they drank, the revellers fell down in the streets, the houses and gardens, as if a plague had struck them; and Zotulla slept in his banquet-hall of gold and ebony, with his odalisques3 and his chamberlains about him. So, in all Ummaos, there was no man or woman wakeful at the hour when Sirius began to fall toward the west.